The Godfather Part III is lacking in clarity, not casting

The Godfather Part III A terrible sequel. It’s done. Doesn’t everyone say that? the SopranosMuppets, Every Other Loudmouth Film Critic With YouTube Channel — Turn Up Anywhere in Pop Culture, You Can Find a Third Godfather As the butt of jokes. Is this al Pacino Hair, Sofia Coppolaacting of, or Francis Ford Coppola And mario puzo The screenplay, not a single element in the film went right. that is, until the re-edited version titled The Godfather Coda: The Death of Michael Corleone came out in 2020 and finally got things right, leading to a proper ending for the trilogy.

or given so many copies Part III has gone. The truth is that The Godfather Part III It received mixed-to-positive reviews when it first came out, and it was a contender for several major awards at the 1991 Oscars. also the fact that coda The cut is almost the same as the theatrical release. Apart from the opening scene and the last few seconds, not much has changed. everyone who wrote how coda The cut was an eye opener, his eyes wide open for the same film that has taken all the cheap shots for the past 32 years.

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And here’s another fact: coda cut doesn’t fix what’s wrong Part III – to the extent that there is anything seriously wrong with it.

If I feel cross, it’s because I never understood what was so offensive about The Godfather Part III, The likes of Coppola and Puzo, Paramount had flirted between years to prioritize spiritual concerns over drug-heavy plots The Godfather Part II And the third film was inspired. Pacino excels as Michael Corleone who is sheared, haunted, and repentant. bastard nephew Vincent Mancini (andy garcia) is a much more fun and dangerous successor to Michael than a son (another Paramount idea). Connie Corleone (Talia Shayar) It’s interesting to turn to villainy, as is Kay’s (Diane Keaton) Steely refusal to free Michael from the hook for his past. carmine coppolaThe music is grand, the costumes and sets superb, and the extended climax – shaking the opera cavalleria rusticana With Vincent’s orchestrated hits – one of the highest highs of the trilogy.


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I can’t even understand the appeal of coda cut. As already mentioned, it’s only slightly edited, but the only edit I found improved is some color timing. The opening of the theatrical cut on the ruins of the Corleone complex in Lake Tahoe paints a better picture of Michael’s state of mind, leading to a ceremony conferring a high Catholic honor to Michael. After that, only the trims were made coda The cuts are accompanied by seconds’ worth of character dialogue and some scenes. Eli WallachFraudster Don Altobello. None of the lost moments were necessary, but the character beats helped portray the various relationships, and Don Altobello is one of the best. Part III, Cutting off his portion resulted in nothing but satanic allure.


And I’ll also stick my neck out for Sofia Coppola’s work as Marie Corleone. Is his acting rough around the edges? Yes. Mary may be an awkward teenager, but there are times in the movie where the weirdness doesn’t register as authentic, at least not in the way the story should have. But the weakest places young Coppola’s performances are those that involve exposition or relaxed conversation. When she is called a bubbly, heartbroken, or a sacrificial lamb for all the sins of her father and family, Sophia delivers.

It’s All Good In Theatrical Cut Part III, and we should all point and laugh at this because isn’t it as spectacular as two of the biggest movies of all time? if it is not The Lord of the Rings: The Return of the King, The Godfather Part III stands above the likes of return of jedic, the dark Knight Riseseither Indiana Jones and the Last Crusade, Hell, I think it’s been in my Blu-ray player longer than the first two godfather,


Of course, this is because the first two godfather are longer and better; If I’m going to watch them, I need time to watch the whole thing. Part III Might be nice, but it has flaws that make it easy to skip highlights. Some of the dialogue is weak, so weak that it could almost be an AI engineer to spew Pujo-esque lines. The other sections seem contradictory (Michael sold the casino some time ago…but is he giving away shares from the sale of the casino?) There are a scene or two (none of them are of Don Altobello, and all of them) To coda cut) that do nothing to the plot or the characters and simply seem to exist.

But these are small potatoes. If The Godfather Part III have a near-fatal defect, such as Leonard Maltin Once Sophia’s performance is described, it’s not dialogue or padding or casting. It lacks clarity to the plot of the antagonist.


ambiguity runs across Godfather The first film in the trilogy never shows Don Barzini actively struggling with the Corleone family, nor does it explain the arrangement between Barzini and the Tataglia family. The second film does not give detailed information about Fredo.John Cazale) Hyman Roth Dia (Lee Strasberg) which led to an attempt to hit Michael. In no case was the extension necessary. It didn’t matter what the deal was between Barzini and Tataglia; All it matters is that they had one, it brought Sonny down (James Kano), and so it expands the scope of Corleone’s vengeance. It doesn’t matter what Fredo told Roth; What matters is that he betrayed his brother.

Details of deals and betrayals matter more Part III, It’s essential for some characters to know what’s going on by the third act, and I think the audience is meant to understand that as well. It is not easy to do so. The plan, I think, is this: shadowy forces and organized crime in the Italian government, controlled by Don Luchesi (Enzo Robutti) has defrauded the Vatican Bank of millions in collusion with Archbishop Gilday (Donald Donnelly) He has also used the international real estate company Immobiliere to launder unfairly acquired profits. To cover up the theft, Gilday agrees to a proposed acquisition of Michael’s immobilire in exchange for a $600 million deposit in the Vatican Bank. When Michael makes it clear that his intentions are sincere, that he will not facilitate money laundering through immobilire, Luchesi uses accountant Friedrich Kienszig (Helmut Berger) to stop the deal, while his American ally Altobello attempted to indirectly kill Michael.


i say i Thinking This is the plan, because it is never written all at once. There are different pieces explained throughout the movie, some of them quite subtly, and some of them with the bad dialogue I mentioned. Piecemeal revelations and belief in the audience’s perception are often good, but in this case, the characters who should be aware of the development of the plan don’t get the information they need, or at least less clearly not register this way

coda Cut doesn’t fix it. None of the publicly available footage for Part III could. This is a script problem, and possibly tied into a production crisis. Coppola and Puzo asked for six months to turn their complicated plot into a script. Paramount gave him six weeks, forcing the pair to write a script and Coppola to rewrite the segment during filming. the weakest moment of The Godfather Part III If this is not the first draft, the work is in progress. preliminary drafts of Part II There are similar rough patches, but that film had the time—and Coppola’s clout—they needed to shine. Part III Wasn’t so lucky.

But consider this: even in the form of a sophisticated screenplay, Part III There are still some classic lines to add to the trilogy’s collection of quotes. It has spectacular scenes such as Michael’s diabetic stroke and his confession to the future Pope. It has Connie’s moral lineage, Vincent’s amalgamation of the best (and worst) traits of his forerunners, an excellent climax and a harsh but fitting ending for Michael Corleone. No one is bound to like a movie, but those who seriously oppose it The Godfather Part III One of the most poorly made close-ups of a trilogy, haven’t seen enough of them.

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